Sprüth Mager's latest exhibition "Seriously" is an unconventional display of conceptual photography that combines humor with thought-provoking commentary on the art world and societal norms. The group show spans four floors, featuring a diverse range of works by artists such as Martine Syms, Louise Lawler, Bruce Nauman, Thomas Ruff, Cindy Sherman, and others.
One of the standout pieces is Syms' "She Mad: The Non-Hero," which satirically explores social media mores and debunks ideas about success. Lawler's 1972-81 audio work "Birdcalls" presents a scathing critique of art world sexism by screaming out the names of famous white male artists in the style of bird calls, leaving the listener with a sense of unease.
The show also features works that use humor to tackle serious topics, such as Thomas Ruff's L'Empereur series, which reimagines himself in various situations with deliberately cheesy results. Other artists, like Cindy Sherman and Sarah Lucas, employ irony and absurdity to challenge traditional notions of femininity and consumer culture.
John Smith's 12-minute video "The Girl Chewing Gum" provides a humorous example of the limits of observation, as a voice narrates the actions of unsuspecting passersby with increasingly outlandish descriptions. However, not all of the works in the exhibition elicit laughter; some pieces, such as Carrie Mae Weems's picture of minstrel salt and pepper shakers, remain puzzling.
Ultimately, "Seriously" is more about using humor to challenge societal norms than seeking outright laughter. By pushing photography beyond its traditional boundaries, conceptual artists like those featured in this show have created a body of work that is both thought-provoking and entertaining. While not all the jokes may land today, the exhibition's irreverent approach makes it a must-see for fans of conceptual art.
One of the standout pieces is Syms' "She Mad: The Non-Hero," which satirically explores social media mores and debunks ideas about success. Lawler's 1972-81 audio work "Birdcalls" presents a scathing critique of art world sexism by screaming out the names of famous white male artists in the style of bird calls, leaving the listener with a sense of unease.
The show also features works that use humor to tackle serious topics, such as Thomas Ruff's L'Empereur series, which reimagines himself in various situations with deliberately cheesy results. Other artists, like Cindy Sherman and Sarah Lucas, employ irony and absurdity to challenge traditional notions of femininity and consumer culture.
John Smith's 12-minute video "The Girl Chewing Gum" provides a humorous example of the limits of observation, as a voice narrates the actions of unsuspecting passersby with increasingly outlandish descriptions. However, not all of the works in the exhibition elicit laughter; some pieces, such as Carrie Mae Weems's picture of minstrel salt and pepper shakers, remain puzzling.
Ultimately, "Seriously" is more about using humor to challenge societal norms than seeking outright laughter. By pushing photography beyond its traditional boundaries, conceptual artists like those featured in this show have created a body of work that is both thought-provoking and entertaining. While not all the jokes may land today, the exhibition's irreverent approach makes it a must-see for fans of conceptual art.