Lockdown turned lockdown to an unlikely artistic collaboration: Mark-Anthony Turnage's new operatic adaptation of E Nesbit's beloved classic, The Railway Children.
The pandemic prompted a unique creative partnership between composer Mark-Anthony Turnage and his partner Rachael Hewer, who works as an assistant director at Glyndebourne Opera House. During their months-long lockdown, the duo found themselves with ample time to work on a new opera that they had long discussed but never managed to write.
The Railway Children was chosen for its timeless appeal and availability of copyright, which meant no permission was required from the original author or publishers. Turnage and Hewer approached this project as an opportunity to reinvigorate E Nesbit's classic children's story with modern updates.
Their collaboration involved a workshop-style process where they brought in a group of talented singers to work on scenes in secret. This allowed them to gauge the opera's potential and scope without alerting anyone outside their inner circle.
Once the pandemic eased, Turnage and Hewer sent the full-length opera to Glyndebourne's artistic director Stephen Langridge with an unusual marketing ploy - sending a printed copy of the complete work along with a fun-size Wispa bar to hint at its existence.
It was to their surprise that Langridge accepted the project, suggesting Turnage direct it himself, and subsequently announcing the production on Glyndebourne's website.
The story marks an extraordinary artistic collaboration in response to an unprecedented global crisis.
The pandemic prompted a unique creative partnership between composer Mark-Anthony Turnage and his partner Rachael Hewer, who works as an assistant director at Glyndebourne Opera House. During their months-long lockdown, the duo found themselves with ample time to work on a new opera that they had long discussed but never managed to write.
The Railway Children was chosen for its timeless appeal and availability of copyright, which meant no permission was required from the original author or publishers. Turnage and Hewer approached this project as an opportunity to reinvigorate E Nesbit's classic children's story with modern updates.
Their collaboration involved a workshop-style process where they brought in a group of talented singers to work on scenes in secret. This allowed them to gauge the opera's potential and scope without alerting anyone outside their inner circle.
Once the pandemic eased, Turnage and Hewer sent the full-length opera to Glyndebourne's artistic director Stephen Langridge with an unusual marketing ploy - sending a printed copy of the complete work along with a fun-size Wispa bar to hint at its existence.
It was to their surprise that Langridge accepted the project, suggesting Turnage direct it himself, and subsequently announcing the production on Glyndebourne's website.
The story marks an extraordinary artistic collaboration in response to an unprecedented global crisis.